American Pie
Prologue
"Something touched me deep inside"
A long, long time ago I can still remember how that music used to make me smile. 
And I knew if I had my chance that I could make those people dance  
And maybe they'd be happy for a while. 
But February made me shiver with every paper I'd deliver.  
Bad news on the doorstep, I couldn't take one more step 
I can't remember if I cried when I read about his widowed bride,  
But something touched me deep inside the day the music died. 
So...
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Epic: an extended narrative poem ("American Pie" was over 8 minutes long) in elevated or dignified language (God, Satan, Kings and Jesters populated it) celeebrating the feats of a legendary or traditional hero (Buddy Holly and others such as Elvis, Dylan, the Beatles, and the Stones). [back to text] 

Allegory:  a story or poem which has several levels of meaning, the things of the surface level having a symbolic meaning on her level.  The jester (surface level) here is obviously Bob Dylan (second level).  The relationship between surface meaning and deeper on gives clues to the author's theme.  A jester in the medieval court was both fool and prophet: he spoke what others could not.  Dylan is portrayed the same way .  [back to text]
 

 

Don McLean's song "American Pie" is not just a simple rock tune; it's a poem. But it's not just a poem; it's an epic poem. But it's not just an epic poem; it's an allegory. Furthermore, it's a personal story of Don Mclean's growing up and his nostalgia for the music (and innocence) of his youth.  And even that falls short of what this piece of literature is. Most of all, it is a tribute to Buddy Holly, one of rock and roll music's creative geniuses and true good guys.
As an epic, the legendary hero is Buddy Holly, a 50s rock and roller who experimented greatly with chords and beat. He played the rhythm guitar, a form of guitar playing that consisted mainly of chords. He was a clean-cut, fundamentalist Baptist choir boy who wasn't afraid to be himself right down to the horn-rimmed glasses.
Holly was, according to The Rolling Stone magazine, a true rock and roll pioneer. He wrote his own music, used the recording studio for double-tracking, popularized the two guitars, bass, and drums lineup, sang falsetto, and recorded a host of extremely popular songs. All that by the age of 21, only two years after he began recording.
He directly influenced Bob Dylan, the Beatles, and almost every important rock and roller to come after him including a young Don McLean who was growing up in New York.  Indeed, the Beatles' name was inspired by Holly's group, the Crickets.
When Holly recorded "That'll Be the Day" McLean was 11 years old. When Holly's plane went down in an Iowa cornfield on Feb. 3, 1959, McLean was just 13, the age he might well have been a newspaper delivery boy. (But February made me shiver with every paper I'd deliver.)
The tragedy occured while Holly was on a winter road trip with a collection of performers. They had been travelling from city to city in the cold northern plains by bus and it was getting old. Once the bus broke down and one of the performers got frostbite while waiting for help. Holly was tired after a performance at Mason City, Iowa and wanted to go ahead of the troupe to the next stop in Fargo, North Dakota. So he hired a young pilot to fly a small plane with Holly and two others on board.
Originally, it was to be Holly, Waylon Jennings, and Tommy Allsup but when J. P. Richardson, aka "The Big Bopper," heard about the special flight, he talked Jennings into giving up his seat. Allsup then allowed his seat to go to Richie Valenz after agreeing to let a coin toss decide (Valenz chose "heads;" it was heads).
The pilot, Roger Peterson, was not certified to fly instrument flights; he was a visual flyer only. But that night the clouds rolled in and, in 18-degree weather with light snow, the plane took off. Peterson was forced to use a gyroscope to navigate but it was 180 degrees reversed from the ones he was familiar with in flight school. As he tried to climb, he instead plummeted the plane earthward. All four men died instantly.
When McLean says he "can't remember if I cried when I read about his widowed bride" it's more factual than you might think at first glance. Holly's marriage was not only brief, but it was secretive.
Holly met Maria Elia Santiago, a Puerto Rican, when she worked as a receptionist for a recording company. On the June day he met her in 1958, he proposed. They were married on August 15 of the same year. The marriage was kept a secret because of their race difference and general public skepticism of rock marriages, especially coming on the heels of news of Jerry Lee Lewis' marriage to his 14-year-old cousin.
The marriage lasted 6 and a half months. Maria Elena was certainly still a bride when she heard the news of her husband's death (she heard it over the radio). And it was only after his death that the marriage became public.
Many rock and rollers have died young; what was it that made Holly's death so important to Don McLean? Obviously, as he tells us in the prologue, these were the formative years for him. He was an aspiring musician after Buddy Holly's ilk, "that music" that used to make him smile.
The tragedy probably meant more to McLean than most kids because an idol and role model was lost. What he didn't consciously realize at the time but came to see later, the simple rock music he loved also began to die as the rest of this song chronicles.
But something touched him "deep inside" that day and that something is the subject of this song.
 

Next

Jump to other verses of the song:

Verse
Subtitle
Introduction
Prologue
"Something touched me deep inside"
1
"I saw you dancin' in the gym"
2
"Ten years on our own"
3
"Do you recall what was revealed?"
4
"A generation lost in space"
5
"They caught the last train for the coast"
Chorus
"Bye, bye, Miss American Pie"
Line-by-line Analysis
 
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